Fred McDowell: Mississippi Delta Blues Singer When people think of the blues, they typically think of a man with a raspy voice singing and playing along with a guitar. While this is a common expression of the blues, it’s not unlikely that in the early to mid 20th century people would sing and play the blues on their ukulele too. In this lesson, we’re going to take a look at one of the most popular chord progressions in traditional blues music known as the 12-bar blues. The blues are characterized by simplicity, repetition, rhythm, and pure emotion. 12-Bar Blues Video Lesson In this video lesson, I show you some examples of the 12-bar blues on ukulele.

How To Play Blues Ukulele covers everything from the absolute basics like simple 12 bar. This 128 page PDF guide has 123 examples for you to learn (all with supporting YouTube videos) and 4 mp3 backing tracks for you to solo along with.

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Feel free to watch this video first, but you may want to keep reading first to understand how the 12-bar blues is structured. 12-Bar Blues Form & Structure Before we learn any fingerpicking patterns, we need to understand the structure of the 12-bar blues. As you probably guessed, the 12-bar blues is made up of twelve bars or measures. Each measure gets four beats. Once you complete these twelve bars, you repeat the entire form. There are three chords commonly used in this pattern: I7, IV7, V7. The chords above are expressed in roman numerals.

The “7” next to the roman numerals represent that the chord is a dominant 7th chord. The first four measures of the 12-bar blues are played over the tonic chord I7.

This means, if we were playing in the key of A, our I7 chord would be A7, if we were playing in key of D, our I7 chord would be D7, and so on. The first four measures of the 12-bar blues is played of a I7 chord.

For this lesson, we will play in the key of A, so our I7 chord is going to be (click to view the finger position for this chord). For the next four measures, we are going to switch to a IV7 chord for two bars and then switch back to a I7 for two bars. Buku pendidikan agama islam untuk perguruan tinggi pdf free 2017. Again, our I7 chord is. Our IV7 chord in the key of A would be.

For the last four measures, we are going to switch to a V7 chord for two bars and then resolve back to a I7 for the last two measures. Our V7 chord in the key of A would be.

Let’s Put It All Together If we put all this together, our basic 12-bar blues structure looks like this. As you can see, the structure is pretty simple. We can create a little bit more interest in this progression by using some variations. 12-Bar Blues Variations The first variation is in the first four bars. To break up the monotony of the I7, we can use a IV7 chord in the second measure. The second variation is in the last four bars. For the ninth measure, we will still use the V7 chord, but in the tenth measure, we will switch back to a IV7 chord.